Billy Klüver
"The Garden Party"/ The Pavilion
- if a scientific experiment cannot "fail" neither can an artistic experiment
- Jean Tinguely worked with Klüver to create "Homage to New York"
- a machine in which "jean supplied the energy to create the freedom and was ruler over the chaos" a work of chance and of the moment - much like the city it was paying respects to
- the machine created and destroyed itself to present us with an ephemeral moment
- "creative masters of changing reality"
- the pavilion was a massive collaboration of artists, scientists, engineers, and participators
- the goal was to give he visitors "choice, responsibility, freedom, and participation" so that the work was not complete until they had been involved
- emphasis was on the visitors relationship to the environment rather than on the object itself, it was a giant experiment in human behavior
- each collaborator was involved in a specific aspect of the project, so all are equally authors of the work
- the fog and mirror involved were incredible feats of science and technology that would later have many practical purposes besides its original artistic one
E.A.T.
- founded by Klüver, Rauschenberg, Whitman, and Waldhauer
- first project was a collaboration between Klüver, a research scientist at Bell Labs, and Jean Tinguely, artist
- engineer was no longer an artist's assistant, but collaborator
- group takes off when Klüver met Wiggen who was organizing the festival of art and technology
- EAT created a variety of events and pieces that went beyond art or technology by fusing the two
- "eliminate the separation of the individual from technological change and expand and enrich technology to give the individual variety, pleasure, and avenues for exploration and involvement in contemporary life."
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